WISHING YOU A HAPPY NEW YEAR FILLED WITH MANY GREAT BOOKS!!!
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WISHING YOU A HAPPY NEW YEAR FILLED WITH MANY GREAT BOOKS!!!
VISIT MY BOOK BLOG AT ITS NEW ADDRESS
The protagonist of the novel, Franny Stone is a thirty-year-old Irish woman with a troubled past. The details of that past slowly reveal themselves in each chapter, like puzzle pieces that create a full picture by the end of the story.
The novel take place in the not-too-distant future where most wild animals are extinct. No food for one species means no food for the animals up the food chain. So now animals are bred in farms for food, but the natural world as we know it has ceased to exist.
Though not formally educated, Franny’s knowledge about birds is voluminous. Scientists in the story believed that the Arctic Wren a species of bird was still alive and making their long migration from the Artic to Antarctica. Franny wants to follow the Wren to their destination. She talks her way onto a fishing vessel where the crew hopes to take in one last big catch. At some level, she thinks that if she saves the birds, maybe she can save herself.
As we learn about Franny’s life, we can see she is running toward the natural world and away from her traumatic past. Like her mother, she is restless soul who wanders during the day and sleepwalks at night. She says, “It isn't fair to be the kind of creature who is able to love but unable to stay.” It feels like she is punishing herself for some unnamed transgressions which we lean in a slow cadence of revelation. Franny’s painful experience of her younger days has nestled into her soul and she feels that she cannot change and must be punished, and yet her resiliency and growth.
‘Migrations’ is heavy and heartbreaking, raw and wrenching. It is a character driven story about a woman wrestling with her past while living in an eerie world without the sound or sight of animals. No fish, no birds, no mammals. This story aches with the fallibility and majesty of human choices both individually and globally. McConghay is not didactic, just factual. if we don’t make changes The world we know will no longer exist.
I confess I was skeptical about Bonnie Garmus’ wonderful debut novel, ‘Lessons In Chemistry.’ Initially, I was put off by the bubble gum orange and pink cover. But thanks to my DJKKS book group, I not only read the novel but couldn’t put it down. ‘Lessons in Chemistry’ is witty, quirky and wise. Garmus has created unforgettable characters who are authentic to themselves and others.
The novel’s protagonist is Elizabeth Zott. She has a master’s degree in Chemistry from UCLA and her sole goal is to be a research scientist. But the year is 1952 and at every step of her academic journey, men hold power over her progress. They copy her work, call it their own, demean her and suggest she make coffee or take dictation. And, of course, they simply would not promote her. “Men wanted to control her, touch her, dominate her, silence her, correct her, or tell her what to do. She didn’t understand why they couldn’t just treat her as a fellow human being, as a colleague, a friend, an equal, or even a stranger on the street.”
Elizabeth Zott calls out the absurdities of a social system that resists using half the population’s talents. Her brash and determined personality shows us what it could be like when women didn’t cower in the face of oppressive systems or align with their male oppressors. The book makes profound observations with humor and wit. A few times, I laughed out loud. But underneath wacky incidents and whimsical dialogue, Garmus exposes the absurdity of sexism in the 1950s, an era that many in our current political climate would like to replicate. ‘Lessons in Chemistry’ pleads with women to call out discrimination and act with courage rather than conform to the patriarchal system. I recommend this unique book. You will probably laugh while thinking about the perniciousness of sexism.
****/*****
Despite its tranquil tone, Claire Keegan’s ‘Small Things Like These’ packs a provocative punch. In 114 pages, she delves into the heart and mind of a man questioning the purpose of his life. After witnessing a disturbing event, his past comes rushing into the present. Short-listed for this year’s Booker Prize, this novel, like its title, is small and great.
Christmas is fast approaching in the small Irish town where Bill Furlong was born, raised and still lives. The year is 1985 and an economic downturn has enveloped the town. But Bill, a coal merchant, feels fortunate he can still support his wife and five daughters.
One day delivering coal to the Catholic convent for unwed mothers, Bill finds a young woman locked in the coal shed. It shakes him deeply and unearths thoughts about his own unwed mother. When Bill’s mother had become pregnant at 16, her family disowned her. Because the Protestant woman for whom Bill’s mother worked invited Bill’s mother to move in and raise her child, Bill’s mother was spared the convent for unwed mothers. A blessing for Bill and his mother.
What Bill saw at the convent begins to plague him. His wife says, “If you want to get on in life, there are things you have to ignore, so you can keep on.” But the image of that young, scared girl upsets the compassionate Bill Furlong. His relationship with the nuns is cordial, but still, his conscience won’t rest. “Why were the things that were closet so often the hardest to see?” Feelings about his deceased mother and his unknown father stir inside him. Bill begins to reevaluate his obligations to himself, his family and his community. He wonders, “Was there any point in being alive without helping one another?”
Claire Keegan’s sparse prose grabs her readers and places them in Bill Furlong’s heart and mind. In these turbulent times, she provokes her readers to contemplate their responsibilities to others. If each of us does one small compassionate act, our world would undoubtedly be a better place.